Summary
Box 4 continues the pattern we’ve been developing: like Box 2, it works especially well as a Connector position rather than a primary home for improvisation.
Its biggest job is helping you move between Box 3 and Box 5, but this position also gives us two useful new perspectives: seeing the same box in two different locations on the neck, and recognizing clear minor and dominant arpeggio shapes inside the scale.
Key Takeaways
- Box 4 is primarily a Connector between Boxes 3 and 5.
- In B♭, this is our first opportunity to visualize the same box in two different places on the neck.
- The shape has some similarities to Box 1, but with an important shift in its layout.
- Box 4 makes both minor 7 and dominant 7 arpeggio shapes especially easy to see.